Embarrassments
Riallaro: The Archipelago of Exiles
The Adventures of Gil Blas of Santillane, Volume 2 (of 3)
The Beasts of Tarzan
Hide and Seek
A Whirl Asunder
A Masterpiece of Love, Society, and Human ConflictAnna Kareninais widely regarded as one of the greatest novels ever written. Created byLeo Tolstoyand first published in 1878, the novel presents a deeply emotional and realistic portrait of love, marriage, society, and personal struggle in nineteenth-century Russia. Through richly developed characters and psychological depth, Tolstoy explores the complexities of human relationships and the consequences of passion, loneliness, and social expectation.Lives Changed By Love and DesireThe story centers on Anna Karenina, a respected aristocratic woman trapped in an emotionally distant marriage with the government official Alexei Karenin. Her life changes dramatically when she meets the charming Count Vronsky, and the two begin a passionate relationship that quickly becomes the focus of scandal within Russian high society.As Anna struggles between personal happiness and social judgment, the novel also follows other interconnected characters, including Konstantin Levin, whose search for meaning, family, and spiritual fulfillment provides an important contrast to Anna’s emotional turmoil.A Portrait of Human EmotionOne reasonAnna Kareninaremains so admired is Tolstoy’s extraordinary understanding of human psychology. The characters feel realistic because they experience jealousy, insecurity, hope, love, guilt, and fear in ways that remain relatable even today.Tolstoy avoids presenting simple heroes or villains. Instead, he shows how personal choices, emotional desires, and social pressures shape the lives of individuals in complicated and often painful ways.Society, Marriage, and Moral ConflictThe novel explores themes including marriage, faith, betrayal, family life, morality, and the conflict between personal freedom and social expectations. Tolstoy examines how society judges individuals differently based on gender and status, especially in Anna’s increasingly isolated position after her affair becomes public.The contrast between city life and rural life also plays an important role in the story. Through Levin’s experiences in the countryside, Tolstoy reflects on work, simplicity, nature, and the search for genuine meaning beyond wealth and social status.Why The Novel Continues To ResonateModern readers continue to connect withAnna Kareninabecause its emotional conflicts remain timeless. Questions about love, happiness, personal identity, and societal pressure still feel relevant in contemporary life.The novel’s emotional realism and philosophical depth allow readers to interpret the story differently depending on their own experiences and perspectives, which helps explain its lasting popularity across generations.Tolstoy’s Influence on LiteratureLeo Tolstoy’s writing style combines detailed realism with profound emotional insight, helping establishAnna Kareninaas a landmark achievement in world literature. The novel influenced countless writers and continues to be studied for its narrative structure, character development, and philosophical themes.Its impact extends beyond literature through film adaptations, theatre productions, television series, and modern reinterpretations that continue to introduce new audiences to Tolstoy’s work.Final ThoughtsAnna Kareninaremains one of the defining masterpieces of classic literature. Through emotional complexity, unforgettable characters, and deep reflections on society and human nature, Leo Tolstoy created a novel that continues to move and challenge readers more than a century after its publication.For readers interested in literary fiction, psychological drama, and timeless explorations of love and morality, this novel remains an essential and unforgettable reading experience.
Happy families are all alike; every unhappy family is unhappy in its own way.
Everything was in confusion in the Oblonskys’ house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. This position of affairs had now lasted three days, and not only the husband and wife themselves, but all the members of their family and household, were painfully conscious of it. Every person in the house felt that there was no sense in their living together, and that the stray people brought together by chance in any inn had more in common with one another than they, the members of the family and household of the Oblonskys. The wife did not leave her own room, the husband had not been at home for three days. The children ran wild all over the house; the English governess quarreled with the housekeeper, and wrote to a friend asking her to look out for a new situation for her; the man-cook had walked off the day before just at dinner time; the kitchen-maid, and the coachman had given warning.
Three days after the quarrel, Prince Stepan Arkadyevitch Oblonsky—Stiva, as he was called in the fashionable world—woke up at his usual hour, that is, at eight o’clock in the morning, not in his wife’s bedroom, but on the leather-covered sofa in his study. He turned over his stout, well-cared-for person on the springy sofa, as though he would sink into a long sleep again; he vigorously embraced the pillow on the other side and buried his face in it; but all at once he jumped up, sat up on the sofa, and opened his eyes.
"Yes, yes, how was it now?" he thought, going over his dream. "Now, how was it? To be sure! Alabin was giving a dinner at Darmstadt; no, not Darmstadt, but something American. Yes, but then, Darmstadt was in America. Yes, Alabin was giving a dinner on glass tables, and the tables sang,
Il mio tesoro
—not
Il mio tesoro
though, but something better, and there were some sort of little decanters on the table, and they were women, too," he remembered.
Stepan Arkadyevitch’s eyes twinkled gaily, and he pondered with a smile. "Yes, it was nice, very nice. There was a great deal more that was delightful, only there’s no putting it into words, or even expressing it in one’s thoughts awake." And noticing a gleam of light peeping in beside one of the serge curtains, he cheerfully dropped his feet over the edge of the sofa, and felt about with them for his slippers, a present on his last birthday, worked for him by his wife on gold-colored morocco. And, as he had done every day for the last nine years, he stretched out his hand, without getting up, towards the place where his dressing-gown always hung in his bedroom. And thereupon he suddenly remembered that he was not sleeping in his wife’s room, but in his study, and why: the smile vanished from his face, he knitted his brows.
"Ah, ah, ah! Oo!..." he muttered, recalling everything that had happened. And again every detail of his quarrel with his wife was present to his imagination, all the hopelessness of his position, and worst of all, his own fault.
"Yes, she won’t forgive me, and she can’t forgive me. And the most awful thing about it is that it’s all my fault—all my fault, though I’m not to blame. That’s the point of the whole situation," he reflected. "Oh, oh, oh!" he kept repeating in despair, as he remembered the acutely painful sensations caused him by this quarrel.
Most unpleasant of all was the first minute when, on coming, happy and good-humored, from the theater, with a huge pear in his hand for his wife, he had not found his wife in the drawing-room, to his surprise had not found her in the study either, and saw her at last in her bedroom with the unlucky letter that revealed everything in her hand.
She, his Dolly, forever fussing and worrying over household details, and limited in her ideas, as he considered, was sitting perfectly still with the letter in her hand, looking at him with an expression of horror, despair, and indignation.
"What’s this? this?" she asked, pointing to the letter.
And at this recollection, Stepan Arkadyevitch, as is so often the case, was not so much annoyed at the fact itself as at the way in which he had met his wife’s words.
There happened to him at that instant what does happen to people when they are unexpectedly caught in something very disgraceful. He did not succeed in adapting his face to the position in which he was placed towards his wife by the discovery of his fault. Instead of being hurt, denying, defending himself, begging forgiveness, instead of remaining indifferent even—anything would have been better than what he did do—his face utterly involuntarily (reflex spinal action, reflected Stepan Arkadyevitch, who was fond of physiology)—utterly involuntarily assumed its habitual, good-humored, and therefore idiotic smile.
This idiotic smile he could not forgive himself. Catching sight of that smile, Dolly shuddered as though at physical pain, broke out with her characteristic heat into a flood of cruel words, and rushed out of the room. Since then she had refused to see her husband.
"It’s that idiotic smile that’s to blame for it all," thought Stepan Arkadyevitch.
"But what’s to be done? What’s to be done?" he said to himself in despair, and found no answer.
Dolly came out of her room to the tea of the grown-up people. Stepan Arkadyevitch did not come out. He must have left his wife’s room by the other door. "I am afraid you’ll be cold upstairs,"…
The ball was only just beginning as Kitty and her mother walked up the great staircase, flooded with light, and lined with flowers and footmen in powder and red coats. From the rooms came a constant, …
Vronsky and Kitty waltzed several times round the room. After the first waltz Kitty went to her mother, and she had hardly time to say a few words to Countess Nordston when Vronsky came up again for t…
"Yes, there is something in me hateful, repulsive," thought Levin, as he came away from the Shtcherbatskys’, and walked in the direction of his brother’s lodgings. "And I don’t get on w…
"So you see," pursued Nikolay Levin, painfully wrinkling his forehead and twitching. It was obviously difficult for him to think of what to say and do. "Here, do you see?"... He po…
In the morning Konstantin Levin left Moscow, and towards evening he reached home. On the journey in the train he talked to his neighbors about politics and the new railways, and, just as in Moscow, he…
The house was big and old-fashioned, and Levin, though he lived alone, had the whole house heated and used. He knew that this was stupid, he knew that it was positively not right, and contrary to his …
After the ball, early next morning, Anna Arkadyevna sent her husband a telegram that she was leaving Moscow the same day. "No, I must go, I must go"; she explained to her sister-in-law the c…
"Come, it’s all over, and thank God!" was the first thought that came to Anna Arkadyevna, when she had said good-bye for the last time to her brother, who had stood blocking up the entrance …
The raging tempest rushed whistling between the wheels of the carriages, about the scaffolding, and round the corner of the station. The carriages, posts, people, everything that was to be seen was co…

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