The Twin Ventriloquists

NIMBLE IKE ENCOUNTERS AN EXTRAORDINARY ADVENTURE AND TWO WONDERFUL VENTRILOQUISTS PLAY PARTS AGAINST EACH OTHER WITH ASTONISHING RESULTS.

"Great Cæsar!"

The exclamation with which we open our narrative fell from the lips of Nimble Ike, one of the most remarkable
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ventriloquists that ever sent a human voice rambling around through space under the most extraordinary inflectional disguises. Detectives disguise their appearance, but ventriloquists disguise their voices, and make them represent at will all manner of individualities, in the human or animal. Nimble Ike, as we have intimated, was a wonderful ventriloquist; he had played more pranks and worked more wonders with his talent than any other person possessed of the remarkable gift. He had paralyzed professionals and amazed amateurs, and with the aid of his marvelous vocal powers had performed many good deeds on the side of right and justice, forcing rogues to confessions and scaring schemers and roués out of their wits. He was a daring youth, possessing many talents other than the gift of ventriloquism to a remarkable degree. He had never met his match, and when not engaged in aiding some persecuted person or working with detectives he amused himself in various ways by an exercise of his powers. As stated, Ike had never met his match either among professionals or amateurs. He stood number one as a ventriloquist wonder. He had been told of a youth who also possessed the gift in a most remarkable manner. He had never met the youth and was led to doubt the fact that there was another who came anywhere near him. One day Ike, having nothing else to do, determined to visit the Metropolitan Museum in Central Park. He had been there before and enjoyed himself every time, but he had never attempted any of his pranks. On the occasion when we introduce him to our readers, he was standing beside a mummy case containing the linen-bound remains of some poor Egyptian who died thousands of years ago, and he was deeply interested in the description and explanations offered by a sallow-faced gentleman who was a great scientist and Egyptologist. An old maid teacher of an archæological turn of mind
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had chaperoned her class of young lady pupils and had secured the services of the sallow-faced man with the big spectacles to act as guide and expositor for the occasion. As stated, Ike was greatly interested in what the professor had to say; he felt quite serious and was in no mood to amuse himself, when a most startling, soul-thrilling incident occurred. The professor had all the young ladies gathered close around him like so many serious mourners standing around the casket of a deceased friend. He had been descanting in a very earnest manner and finally said:

"Now, ladies, if that mummy could speak he would."

Here the professor stopped suddenly, his spectacles fell from his face, his hands went up and his face blanched, while the young ladies fell back trembling with terror, for, from the interior of the mummy case came the astounding announcement:

"I can talk. What do you want me to tell you?"

The words came clear and distinct, and they came, as appeared, directly from the lips of the mummy; and so realistic was the declaration that one might expect to see the lurid-looking object rise in its thousands of centuries old shroud and look forth from the sunken hollows where its eyes had once beamed forth.

As stated, Ike was standing near the mummy case, but the wonderful ventriloquist was as much amazed as any one. He did not believe the mummy spoke—he was too great an expert in vocal deceptions—but he was amazed all the same, and his amazement arose from the discovery that there was one living person besides himself who could produce such amazing results. He glanced around and there was only the one party who had been standing near the mummy, and that was the professor with the ladies gathered around him. Some distance off a very trimly-built youth stood gazing at the stuffed birds in a case. Our hero had not seen his face; he could not be
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the vocal deceiver, however, and the question arose, Who had performed this marvelous trick? Meantime the professor had gathered his spectacles from the floor and had to a certain extent recovered from his surprise and bewilderment, and he ejaculated:

"That was most extraordinary."

He beckoned the ladies about him once again, but they came forward very reluctantly and our hero, Nimble Ike, scanned their faces to learn which one of the pretty girls was the ventriloquist who had worked the great trick. All their faces wore an expression of surprise and alarm, and he was forced to conclude that the voice magician was not one of them, and his final conclusion was that the sallow-faced scientist was the culprit—yes, the sallow-faced man with the big nose and goggles had made the inviting statement, knowing that he could seemingly make the mummy talk. His surprise and alarm, our hero concluded, was all a pretense and a part of his little joke, and it was then that Ike turning away uttered the ejaculation "Great Cæsar!" His blood was up; the professor was a wonderful ventriloquist, but Ike determined to have some sport and give the professor ventriloquist, as he appeared to be, the surprise of his life. He determined to make the mummy do some tall talking and force the professor to a betrayal of genuine surprise.

"Yes," mentally concluded Ike, "the next time you'll shed your goggles for fair."

Ike was in no hurry, however; he intended first to watch the professor and find out if he were really the vocal wonder.

The young ladies finally gathered around, for the professor's talk had really been very interesting. He said:

"Young ladies, I wish to ask you a question. What scared you?"

The ladies did not answer, and the professor again inquired:

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"Were you scared by my demonstration or did you, ah—ah—well, did you hear a voice?"

One of the young ladies answered:

"We heard a voice."

"You did?"

"Yes, sir."

"Then it was not a delusion; no, it was not a delusion, but it was one of the most extraordinary incidents that ever occurred since the days of miracles, or, to explain it on scientific grounds, we were all so engrossed on the subject under conversation that by some singular psychologic phenomena, our imaginations were momentarily spellbound by a concentration of all the nerve forces upon a given thought, and thereby our imaginations were abnormally stimulated to such a degree as to make the extraordinary deception possible."

The girls stared, but did not comprehend the professor's explanation, although it was about as plain as scientific and medical explanations usually are.

Ike was unable to decide. The professor appeared to have fully recovered and again became rapt in the subject of his discourse. The young ladies also appeared to have recovered from their alarm and were deeply interested in all the professor said. Ike, however, had lost all interest in the lecture. He was piqued, he did not understand how it could be that there was really another who possessed a ventriloquistic talent almost equal to his own. As stated, he watched the professor and finally the good man again arrived at a point when he said:

"If that relic of the past centuries could speak he——"

"I can speak," again came the voice from the mummy case.

The professor stared, the ladies stared, but the expression of surprise was not equal to what it had been at the first exhibition. The professor, however, came to a dead
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stop, he looked slowly around and finally in a husky voice remarked:

"I do not understand it."

Neither did Ike, for he was convinced that the professor was not the acrobatic vocalist. The latter, however, was a man of nerve, a genuine scientist, and he said:

"Young ladies, do not be scared; that linen-wrapped object, that corpse, that has lain swathed in its funeral habiliments for over thirty centuries, says he can speak. We will let him talk." And from the mummy case came the statement:

"I think a fellow who has been silent for thirty centuries should have a chance to get a word in."

Ike was "on to it." He was too great an expert not to fathom the mystery. He had met his match at last. He was fully assured that the lithe-looking chap who was studying the ornithological department was the ventriloquist, and our hero muttered:

"You are having lots of fun, mister, but now I'll give you a scare."

The ventriloquist stranger was still gazing in the bird case, when close to his ear came the startling announcement, seemingly from the bird case:

"What's the matter with you? Why do you disturb that poor old Egyptian who has been asleep for over three thousand years?"

Ike's test brought its result. He saw the strange youth give a start. He turned about, but he did not look at the talking stuffed bird; he turned around to see who it was that had so cleverly matched him. It was a great game all round. The professor was bewildered, the ladies were bewildered, and the young fellow at the bird case, who had bewildered every one else, was himself bewildered. In fact, Ike, the master, was the only one who at that moment held the key to the whole mystery, and knew just what it was all about.

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Ike enjoyed his momentary triumph, and so for a few moments nothing startling occurred.

The professor kept repeating, "This is most extraordinary," and the balance of his party evidently thought so.

The young man who had been looking in the bird case, however, as it proved, was a "Jim Dandy," as the boys say. He was not to be kicked out so easily. He also, as our narrative will prove, was an expert and a very brave and resolute lad. He walked around looking into several cases for a few moments and then quietly edged over toward the mummy case around which still lingered the professor and his party, and Ike realized that a most remarkable duel was portending—a duel between two wonderful vocal experts. Our hero had fully identified the young man on whom he had retorted as the individual who had made the mummy speak.

"I'll have first shot," thought Ike, and as the young man passed close to a second mummy case and stood a moment looking at the bandaged face as a "throw off," the relic of a thousand years appeared to say to him in a hoarse whisper:

"Look out, young man, look out, you may get hit with a club made three thousand years ago."

There was a perplexed look upon the young man's face for a moment, and then his bright, clear eyes wandered around and he too fell to a discovery, as he believed.

The professor meantime had become exceedingly nervous and he said:

"I believe I will adjourn the lecture for to-day."

As the professor spoke, there came a voice from the mummy case saying:

"Yes, you had better adjourn it forever, for you don't know what you are talking about."

The professor advanced close to the mummy case to gaze directly at the lips of the three-thousand-year corpse.
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He was determined to solve the mystery, but as he bent over the venerable object there came an unearthly yell that froze the blood in his veins. He leaped back, the young ladies ran screaming away and there would have been a great scene were it not that at the time there were no other persons in that particular department of the museum.

The professor led the way down to the office to tell his wondrous tale, while the young man who had first started the joke approached and gazed intently on the face of our hero, the great Nimble Ike. The latter returned the gaze and for a few moments it was a duel of stare; neither appeared disposed to open the conversation, while in the mind of each there dawned a suspicion, and finally the young stranger mustered up sufficient courage to ask:

"Say, young fellow, who are you?"